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Chuck Palahniuk's avatar

Comment #6

There are so many stellar lines here. Among my favorites is:

“We’ve outsourced ours to meth and Mad Dog 20/20,” Shoestring interrupted. “We’re just a different kind of algorithm, brother.”

A nagging voice says that "Prophet" might be too on-the-nose for the character. Names like Prophet and Preacher don't do justice to good writing. Would you consider a name that's not quite so common? Something that reveals some other aspect of the kid. "Gandalf" or "Jeane Dixon" (that would be if Marlene gave the nickname because Jeane Dixon would be more her generation). You might be creating an era-defining character, you should give him a fresh name.

Above all, actions define a character. "Tyler Durden" means nothing as a name (except to me) but the character's actions and speeches give the name weight and meaning.

Chuck Palahniuk's avatar

Comment #4

Let's talk about transitions:

"Marcus had noticed it three years ago."

"Marcus came here because..."

"Tonight Marcus brought..."

"Marcus checked his phone. Two hours gone."

"That night in bed,..."

"Three weeks later,..."

These are such writer-ly transitions. Seeing how the story is about web surfing and scrolling, can you invent some device -- a chorus? -- that signals the transition in a way that suggests or mimics online activity?

Brain map some words: Two-finger, refresh, swipe, side-swipe, back-swipe, scroll... Can you invent a system the reader will intuitively adopt as signposts for flashbacks or jumps ahead? This story says something so important, and I'd like to see the language reflect that by being unique. Once you have the system established ("I am Joe's white knuckles") it works like a macro ("The first rule of Fight Club is...") and reinforces the world you create, while it also tells the reader you're shifting around in time/mood.

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